First things first. Standing in the back of the Enmore theatre, trying to take a photo with an iPhone (not the latest version, naturally), with the lights doing what they do at a concert (namely flickering, changing colour etc) is probably not as successful as an aspiring blogger might hope.
But it does have a certain artistic charm to it (or so I tell myself), and you get the general idea of how Kimbra looks like, which is a little bit like a pretty doll. Dark and glossy hair, big eyes, red lips and a short, silver dress. Mid-concert she changes into an equally tutu-esque red number. The whole look is quite theatrical, something Kimbra emphasises by exaggerated hand gestures, as if she would try to shape the lyrics into form. She is clearly not comfortable doing the obligatory chit-chat between songs, and it shows here how very young she is. There are a lot of nervous giggles and stilted, quite obviously rehearsed introductions to her songs, a contrast to the confident and sassy stage persona she's trying to project. But her strong and versatile voice matches the diversity of styles she covers with her songs, from the bluesy Plain Gold Ring by Nina Simone to the tribal Warrior. A duet with Sam Lawrence for Wandering Limbs is beautiful and etheral.
The concerts ends rather abruptly after the smooth pop track Cameo Lover. No encore, just lights on and technicians unplugging the elaborate stage setting. It is all generally quite funky and danceable, maybe a little bit too glossy for my taste. But considering that Kimbra is only 22 years old and Vows is her first album, there can be no doubt about it: This petite young singer is going places.